POINTS OF ENTRY


The Payola Chronicles

What do you do when a music marketing company out of Brooklyn asks if they can put you on their promo list and send you music and concert tickets in exchange for you writing reviews on your blog? You start a new series called The Payola Chronicles.

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Redesigning the Towers and Turrets*

For the past few months I have been posting a series called Great Counterculture Logos and getting feedback from the likes of Paul Pascarella of Gonzo lore, PD at Skull Skates and Jordan Cooper at Revelation Records on how their respective marks came to be...

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It's All Around You...

Some of the best artistic inspiration that crosses my path on a daily basis is not in the galleries (although I post on that here as well) but on the walls and back alleys I pass through on my way to work. The best of these pieces are posted in the aptly titled ongoing series Art I Pass By On My Way to Work. Cooler still, they are all geotagged.

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WORK WORTH DOING

An Interview with Lorraine Gauthier and Alex Quinto
as featured on blog.industrialbrand.com and eco.psfk.com

"Ladies and Gentlemen, Greenland is melting!"

This was how Lorraine Gauthier and Alex Quinto introduced themselves at this year's ICOGRADA in Seattle. It was early in the conference and the first statement that truly made us sit up and take notice. We would learn that the pair had worked on Bruce Mau's exhibit Massive Change, a massive undertaking unto itself tackling the world's most critical problems from a designer's perspective. They then went on to create Work Worth Doing, a design studio "working at the intersection of the business, cultural and philanthropy sectors bringing design thinking and design processes to a host of social and environmental challenges".

Yes, Greenland is melting. This can interpreted as a catastrophic event, threatening ocean circulation patterns and Europe's climate. But from a different perspective, it also stands as an untapped economic resource for Greenland and a potential water supply for Africa. From this latter view, the Greenland issue no longer becomes a problem, but a solution. It is all in how you approach the challenge.

We recently interviewed Lorraine and Alex to further discuss the potential of design in creating positive change in the world.

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ICOGRADA 2006

Defining Design on a Changing Planet
(the writer's cut)

I have just returned home and begun an intensive recovery that is befitting of the work hard / play hard ethic with which our team tackled these past four days at ICOGRADA’s Design Week in Seattle. The news has been on the television all evening: looping footage of the escalating tension between Israel and the Hezbollah; of blown out Lebanese neighbourhoods and clips of Anderson Cooper chasing after the next ground zero.

After dinner, we rent Syriana, remembering its scenes of a claustophobic and heavily armed Hezbollah-occupied Beirut; trying to make some sense of it all; but, of course, it only serves to underline the point that there are no simple answers, no defined lines that clearly separate right from wrong, the good guy from the bad guy; and a harsh reminder of what we are up against as we return from this conference back to reality with our heads full of optimism and ideals.

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DESIGN

A Sensitive Dependence: The Search for a Canadian Identity in Graphic Design

This past summer, on the balmy shores of Lake Huron, I took part in a wine tasting where the libations in question were all by the same wine maker, they were all from the same grape and all bottled in the same year. The defining difference between the three bottles was one of a very specific geography. The first bottle had been cultivated from the grapes on the southern hillside of the winery; the second bottle's fruit had matured in the valley while the last bottle had its roots in the acreage just across the highway. Within these controlled settings, the differences in taste seemed ever more apparent and strangely, more relevant. By reducing the variables to a matter of a few square kilometres, we had derived from the wine its true essence.

This experiment came to mind as I listened to the debate at the launch of the GDC's Graphex 2006 National Design Competition. The panel of international and highly qualified judges consisted of Rick Poynor, Min Wang, Debbie Millman, Robert Sarner and Tan Le. The topic was "Is there a definitive Canadian style in our graphic design?"

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IDEAS

Music for the 21st Century

"The most beautiful chord is made from dischord"
-Heraclitus


On May 29, 1913, 'The Rite of Spring', performed by Diaghiler's inimitable Ballet Russes made its world premiere at Paris' Théatre des Champs Elysées. The physically unnatural choreography accompanied by the atonal, rhythmically ambiguous music of Igor Stravinsky was too much for the audience's sensibilities. Hissing and booing grew to such a volume that the dancers were unable to hear their cues and the performance eventually dissolved into a state of chaos and rioting in the theatre. It was in this fashion that Modernism in music was born and in this sense did Stravinsky foreshadow all that would follow in the tumultuous 20th century.

So it seemed darkly fitting that tonight, nearly a century later, with the world's eyes once again focused on Paris as the major themes of our time play out against the fiery backdrop of its poorest districts, that Stravinsky would feature on the roster as symphony-goers in Vancouver Canada were treated to an evening of new sounds and new ideas which also included Michio Kitazume's Ei-Sho and John Adam's 'The Dharma at Big Sur', a piece that was inspired by Beat writer Jack Kerouac's novel 'Big Sur'.

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OPINION

Build Your Homes in Factories

Two years ago, while in Ontario visiting with friends and family, I was kindly invited to my cousin's new home for Thanksgiving dinner. Getting there required taking the subway out to Kipling, its westernmost stop and then driving another 40 minutes until we arrived literally on the edge of the GTA sprawl. Only a block away lay acres of razed land, once the fertile soil of farms and orchards, now reallocated to the purposes of souless and sterile suburbia. Is this what we were all striving for? I asked myself. Working our lives away for a carving of these spoils?

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JOURNEYS

The Beijing Dispatch

There are people wandering along the side of the freeway. This is my first impression upon our arrival in Beijing. It strikes a deep set horror in me. Caught in the headlights, choked on the edge of the 10 lanes that spew out an air that you wear like another layer of skin, they look displaced, lost, left behind.

My god, I think to myself, 1.3 billion is too many; China's population is supersaturated; the levee has broken; people are spilling out everywhere.

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MARKETING

Digging in the right yard: The viral marketing of It's All Gone Pete Tong
As featured on if.psfk.com, ihaveanidea.org and blog.industrialbrand.com

There was little coverage to be found in the mainstream media upon the release of the independent mockumentary "It's All Gone Pete Tong". Not that it deserved to be overlooked. The movie, about an Ibiza deejay, Frankie Wilde, who has to deal with going deaf, is not your average party flick. Picking up awards at a number of festivals, it is beautifully filmed and touches on a far deeper level than just spinning records and snorting lines. There is redemption in this movie. And everyone likes a little of that in their lives once in a while.

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CATALYSTS

Monday, August 31, 2009

The Human Variable
The Human Variable
I was chatting with an architect friend of mine on the weekend — as we watched our one-year-old daughters unleash havoc upon the playground — about the social component of architecture, that as an architect you are responsible for creating an environment and that your design ultimately has a direct affect on how how people interact within it. He related to me two scenarios: The first one was of a courthouse that was rebuilt and after some time in the new building, it was noted that there were less instances of cases getting sorted out pre-trial, and so, as a result, the courts themselves were much busier. What was theorized was that the lobby of the old courthouse had been adorned with Neoclassical columns allowing for the attorneys from the two sides of a case to step aside and make discreet last minute negotiations that had thus avoided the need to stand before the judge. The new facility, with its cleaner more open entrance way, did not accommodate for such exchanges and therefore more people were doomed to have their day in court.

The 2nd example he gave was of a multi-disciplined research facility. The different departments had been originally quite segregated with separate entrance ways and staircases. But the new design featured a central staircase that all personnel used to access their labs. What began to happen was that researchers from different fields would run into each other coming and going from their days and, in the discussion that ensued, interdisciplinary connections and discoveries were suddenly being made that had previously gone completely unnoticed.

In thinking of these two scenarios this evening and how, just as in architecture, as web designers we can put up unintended barriers to information, or create unpredicted niche communities or a tool that gets used for an unforeseen purpose. What always needs to be accounted for is the human variable and despite all the efforts of content strategists and usability engineers, the main secret weapon in creating a successful website will always be flexibility and a willingness to adapt to your users' needs.

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Monday, February 09, 2009

Then and now...the CCTV Building in Beijing
CCTV Building Fire
"…the headquarters of CCTV, the Chinese television network, by Rem Koolhaas and Ole Scheeren, of the Office for Metropolitan Architecture—a building which I had thought was going to be a pretentious piece of structural exhibitionism—turned out to be a compelling and exciting piece of structural exhibitionism."

–Paul Goldberger, The New Yorker

CCTV Building Fire
"Word has it that the building is close to explosion. Whole thing pretty much toast, all in all."

–@DavidFeng

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Tuesday, December 02, 2008

On Infrastructural Domesticity
"Whether or not this is even true – after all, I never think truth is the point in stories like this – ... the idea of appropriating a construction crane as a new form of domestic space – a kind of parasitic sub-structure attached to the very thing it's helped to construct ... is totally awesome;"

-BldgBlog

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Wednesday, July 09, 2008

On The New City..
"The amount of building becomes obscene without a blueprint. Each time you ask yourself, Do you have the right to do this much work on this scale if you don't have an opinion about what the world should be like? We really feel that. But is there time for a manifesto? I don't know."

--Rem Koolhaas

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Sunday, April 06, 2008

"No global reasons.."
Jean Nouvel
It was only after seeing the rendering for the Hines tower next to a photo of the Institut du Monde Arabe in today's NY Times Magazine article that I made the connection and realized, holy shit, Jean Nouvel is hands down my favourite architect. Then I got lost in his website for about 3 hours...

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Tuesday, February 26, 2008

exploring generative design methodologies developed from the complex self-organising behavior of political, social and biological systems
experimental architecture practice exploring generative design methodologies developed from the complex self-organising behavior of political, social and biological systems.
I want to live in the world that kokkugia is building.

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Wednesday, May 23, 2007

A Field Guide to Military Urbanism
a field guide to military urbanism
A current favourite online visit, Bryan Finoki's Subtopia is a discourse on military urbanism, the architecture of occupation and oppression, and the overarching question of why we, as humans, have it in our nature to build walls between ourselves.

To give you an idea of the subject matter, a recent entry features Jonathan Olley's stark, haunting photos of Northern Ireland's police stations, barracks and watchtowers; structures from a troubled past that are quickly disappearing to progress; to be too readily forgotten rather than stand as a reminder/memorial of how very wrong the world can sometimes turn.

Finoki writes:

"While [these] photos are evidence of a distinctly terrorized Irish landscape the more frightening truth about them for me is that they could almost be, in so many regards, the filmic traces of any number of places around the world today.
If we were just to focus on the brutish walls and violent features of defensive accouterment, it wouldn't be that inconceivable to mistake N. Ireland for, say, parts of Jerusalem or Gaza, or even Johannesburg, maybe downtown Manilla for that matter - possibly a neighborhood in central Egypt or Lebanon; conflicted places which are facing some of their own most cruel histories with political walls and entangled battle urbanism still today."

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Friday, September 29, 2006

The 10 Most Important Buildings of the 21st Century
The Most Important Buildings of the 21st Century
As premature as it might be, GQ magazine has released its Top 10 list of The Most Important Buildings of the 21st Century. PSFK has the details.

If you like a little more history with your architecture, check out Lisa Rochon's Seven Wonders of Architecture from entries past.

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Tuesday, September 12, 2006

Future by Design
futurebydesign.jpg
Jacque Fresco designs the civilizations of the future; and in the process, he defines how the human race will need to change in order to get there.

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Monday, May 22, 2006

Seven Wonders of Architecture
Lisa Rochon of the Globe & Mail has just finished her Seven Wonders series for the newspaper with a focus on architecture "both historic and modern ... but only if the works are still intact and accessible to visitors." It is a great list, but one which immediately had me searching the net for more images and information on the celebrated structures.

So after reading Rochon's choices and her rationale behind each one, check out these links for further insight into what makes these seven so wonderful:


1. Casa de Barragan, Mexico City



2. Notre-Dame-du-Haut, Ronchamp, France



3. Guggenheim Museum, Bilbao, Spain



4. The Great Pyramid, Giza, Egypt



5.National Assembly, Dhaka, Bangladesh



6.Hagia Sophia, Istanbul, Turkey



7. Angkor Wat, Siem Reap, Cambodia

BONUS:
Check out this sweet Angkor panorama.

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Tuesday, July 05, 2005

Frank Gehry raises the bar in Brooklyn
gehry
Always inspiring, Frank Gehry reveals his proposed design for the Brooklyn Nets arena and its surrounding 21 acre corridor. The Times architectural critic, Nicolai Ouroussoff proclaims "If it is approved, it will radically alter the Brooklyn skyline, reaffirming the borough's emergence as a legitimate cultural rival to Manhattan."

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Wednesday, January 19, 2005

#8 – moma's tall buildings


www.moma.org/exhibitions/2004/tallbuildings
Architecture was a full time distraction for me in 2004. Frank Gehry's influence was always working itself into my designs and I was floored by the plans that were revealed for Beijing's 2008 Olympic Stadium(check out design B11). But when it comes down to a website that kept me coming back, it was the Museum of Modern Art's Tall Buildings site that did it, earning them the #8 spot in my "Top Ten Most Important Websites (to me) of 2004". This site is clean, informative, and chock full of some of the coolest buildings from around the globe.

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