POINTS OF ENTRY
The Payola Chronicles
What do you do when a music marketing company out of Brooklyn asks if they can put you on their promo list and send you music and concert tickets in exchange for you writing reviews on your blog? You start a new series called The Payola Chronicles.
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Redesigning the Towers and Turrets*
For the past few months I have been posting a series called Great Counterculture Logos and getting feedback from the likes of Paul Pascarella of Gonzo lore, PD at Skull Skates and Jordan Cooper at Revelation Records on how their respective marks came to be...
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It's All Around You...
Some of the best artistic inspiration that crosses my path on a daily basis is not in the galleries (although I post on that here as well) but on the walls and back alleys I pass through on my way to work. The best of these pieces are posted in the aptly titled ongoing series Art I Pass By On My Way to Work. Cooler still, they are all geotagged.
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WORK WORTH DOING An Interview with Lorraine Gauthier and Alex Quinto
as featured on blog.industrialbrand.com and eco.psfk.com
"Ladies and Gentlemen, Greenland is melting!"
This was how Lorraine Gauthier and Alex Quinto introduced themselves at this year's ICOGRADA in Seattle. It was early in the conference and the first statement that truly made us sit up and take notice. We would learn that the pair had worked on Bruce Mau's exhibit Massive Change, a massive undertaking unto itself tackling the world's most critical problems from a designer's perspective. They then went on to create Work Worth Doing, a design studio "working at the intersection of the business, cultural and philanthropy sectors bringing design thinking and design processes to a host of social and environmental challenges".
Yes, Greenland is melting. This can interpreted as a catastrophic event, threatening ocean circulation patterns and Europe's climate. But from a different perspective, it also stands as an untapped economic resource for Greenland and a potential water supply for Africa. From this latter view, the Greenland issue no longer becomes a problem, but a solution. It is all in how you approach the challenge.
We recently interviewed Lorraine and Alex to further discuss the potential of design in creating positive change in the world.
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ICOGRADA 2006 Defining Design on a Changing Planet
(the writer's cut)
I have just returned home and begun an intensive recovery that is befitting of the work hard / play hard ethic with which our team tackled these past four days at ICOGRADA’s Design Week in Seattle. The news has been on the television all evening: looping footage of the escalating tension between Israel and the Hezbollah; of blown out Lebanese neighbourhoods and clips of Anderson Cooper chasing after the next ground zero. After dinner, we rent Syriana, remembering its scenes of a claustophobic and heavily armed Hezbollah-occupied Beirut; trying to make some sense of it all; but, of course, it only serves to underline the point that there are no simple answers, no defined lines that clearly separate right from wrong, the good guy from the bad guy; and a harsh reminder of what we are up against as we return from this conference back to reality with our heads full of optimism and ideals.
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DESIGN
A Sensitive Dependence: The Search for a Canadian Identity in Graphic Design
This past summer, on the balmy shores of Lake Huron, I took part in a wine tasting where the libations in question were all by the same wine maker, they were all from the same grape and all bottled in the same year. The defining difference between the three bottles was one of a very specific geography. The first bottle had been cultivated from the grapes on the southern hillside of the winery; the second bottle's fruit had matured in the valley while the last bottle had its roots in the acreage just across the highway. Within these controlled settings, the differences in taste seemed ever more apparent and strangely, more relevant. By reducing the variables to a matter of a few square kilometres, we had derived from the wine its true essence.
This experiment came to mind as I listened to the debate at the launch of the GDC's Graphex 2006 National Design Competition. The panel of international and highly qualified judges consisted of Rick Poynor, Min Wang, Debbie Millman, Robert Sarner and Tan Le. The topic was "Is there a definitive Canadian style in our graphic design?" READ MORE..
IDEAS
Music for the 21st Century
"The most beautiful chord is made from dischord" -Heraclitus
On May 29, 1913, 'The Rite of Spring', performed by Diaghiler's inimitable Ballet Russes made its world premiere at Paris' Théatre des Champs Elysées. The physically unnatural choreography accompanied by the atonal, rhythmically ambiguous music of Igor Stravinsky was too much for the audience's sensibilities. Hissing and booing grew to such a volume that the dancers were unable to hear their cues and the performance eventually dissolved into a state of chaos and rioting in the theatre. It was in this fashion that Modernism in music was born and in this sense did Stravinsky foreshadow all that would follow in the tumultuous 20th century.
So it seemed darkly fitting that tonight, nearly a century later, with the world's eyes once again focused on Paris as the major themes of our time play out against the fiery backdrop of its poorest districts, that Stravinsky would feature on the roster as symphony-goers in Vancouver Canada were treated to an evening of new sounds and new ideas which also included Michio Kitazume's Ei-Sho and John Adam's 'The Dharma at Big Sur', a piece that was inspired by Beat writer Jack Kerouac's novel 'Big Sur'.
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OPINION Build Your Homes in Factories
Two years ago, while in Ontario visiting with friends and family, I was kindly invited to my cousin's new home for Thanksgiving dinner. Getting there required taking the subway out to Kipling, its westernmost stop and then driving another 40 minutes until we arrived literally on the edge of the GTA sprawl. Only a block away lay acres of razed land, once the fertile soil of farms and orchards, now reallocated to the purposes of souless and sterile suburbia. Is this what we were all striving for? I asked myself. Working our lives away for a carving of these spoils?
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JOURNEYS The Beijing Dispatch
There are people wandering along the side of the freeway. This is my first impression upon our arrival in Beijing. It strikes a deep set horror in me. Caught in the headlights, choked on the edge of the 10 lanes that spew out an air that you wear like another layer of skin, they look displaced, lost, left behind.
My god, I think to myself, 1.3 billion is too many; China's population is supersaturated; the levee has broken; people are spilling out everywhere.
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MARKETING Digging in the right yard: The viral marketing of It's All Gone Pete Tong
As featured on if.psfk.com, ihaveanidea.org and blog.industrialbrand.com
There was little coverage to be found in the mainstream media upon the release of the independent mockumentary "It's All Gone Pete Tong". Not that it deserved to be overlooked. The movie, about an Ibiza deejay, Frankie Wilde, who has to deal with going deaf, is not your average party flick. Picking up awards at a number of festivals, it is beautifully filmed and touches on a far deeper level than just spinning records and snorting lines. There is redemption in this movie. And everyone likes a little of that in their lives once in a while.
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CATALYSTS
Wong Kar Wai Sells Out..
Pixel Pointillism: The Art of William Betts
 Stumbled upon a brilliant exhibit at the Yaletown Jennifer Kostuik Gallery during lunch break today. Texas based artist William Betts (whose website curiously bares an "iPhone Optimized" icon) taps into the Big Brother omnipresence of our modern world, taking webcam and surveillance video screencaps as his subject matter and, by exchanging pixels for pointillism, reinterpreting them in often abstract and beautiful ways. Says Betts in his Artist Statement: "Today we have so many layers between the individual and direct experience, it fundamentally changes how we see the world...I am intereseted in how far removed I can get from the subject and the painting itself and still make paintings." Definitely worth seeing in person if you get the chance. The exhibit runs until June 8th. Labels: Art, Signs of Our Time, Vancouver Galleries
The Communist's Future
Joshua Davis On Pollock & Dynamic Abstraction
 “Among modern artists I conceptually identify with Jackson Pollock - not that I’m a particular fan of his visual style, but because he always identified himself as a painter, even though a lot of the time his brush never hit the canvas. There’s something in that disconnect - not using a brush or tool in traditional methods." and “Pollock might argue that it’s the process of abstraction that’s dynamic, not the end result, which in his case is a static painting. In my own work, the end result is never static; by making room for as many anomalies as possible, every composition generated by the programs we write is unique to itself. I’ll program the “brushes,” the “paints,” the “strokes,” the “rules”, and the “boundaries”. However it is the software that creates the compositions — the programs draw themselves. I am in a constant state of surprise and discovery, because the program may structure compositions that I may never have thought of to execute or might take me hours to create manually.” -Joshua DavisLabels: Design, Edge of Chaos
Swedes Invade the Red Room
 Sweeping in on the coattails of whistling pop sensation Peter, Bjorn & John and rockers the Hives amidst what is being declared a Swedish invasion (or is it a Scandanavian invasion: there were 42 acts from the region at SXSW this year; 11 of which were Swedish), two acts from the land of beautiful people and generous social welfare touch down at the Red Room this Wednesday night. First up, 22 year old music-blog darling Lykke Li whose lilty tunes and airy vocals are produced by the Bjorn of prior-mentioned PB&J into unabashedly catchy pop creations. The big push online right now is for Dance Dance Dance but I am groovin more on the diskJokke remix of Everybody but Me from over at Recrdlbl. The second act, El Perro Del Mar, I am less familiar with. The one piece of trivia that I dug up was that TV on the Radio invited her to open for them in Spain last summer which seems like an odd pairing. But I trust their taste. Take the easy pop tracks of Lykke Li above and let them mature for a few years like a fine wine and you would have something sounding somewhat like El Perro. The lovely collection of songs on her new album, From the Valley to the Stars includes this one, Glory to the World. Should be a good show. Be sure to look up my review later in the week. Labels: Music, The Payola Chronicles
iTunes by the Numbers
 Found this cool meme on Sean Klassen's blog and thought I would apply it to my own bloated iTunes collection: Total Length: » 16307 items, 50.7 days, 87.24GB First and Last Songs (by title): » A-Tisket A-Tasket by Chick Webb v/Ella Fitzgerald » (|||) by DJ Ey3 Shortest and Longest Songs: » "The End" by Maceo Parker, 0:04 » "Dj-Set 23.06.07" by Justice at PinkPonyParty, 2:00:54 First and Last Albums (by title): » "Abbey Road" by The Beatles » "Writer's Block" by Peter, Bjorn & John First and Last Artist (by title): » A.C. Newman » !!! Top Five Most Played Songs: » "Manifesto" by Gonzales » "Concerning The UFO Sighting Near Highland, Illinois" by Sufjan Stevens » "Winters Love" by Animal Collective » "Andy Warhol" by David Bowie » "Southern Anthem" by Iron and Wine Search for the following words. How many songs show up?: » Sex: 96 » Death: 78 » Love: 815 » You: 1588 » Home: 145 » Boy: 411 » Girl: 167 First five songs that come up on Party Shuffle: » "Speakeasy" by Swayzak » "The Gal from Joe's" Duke Ellington & His Famous Orchestra » "Johnny B. Goode" by the Sex Pistols » "Wagon Christ / Spotlight" by Aphex Twin » "Death or Glory" by the Clash What's on your playlist? Labels: Music
II Pause
Art I Pass By - #17
Black Kids and Cut Copy at Richard's on Richards
 There is a black guy in the men's washroom of Richard's on Richards dispensing soap and hand towels. He also has an assortment of colognes and prophylactics available for purchase. His outfit suggests that of a hipster bellhop. I should point out that the men's facilities at Richard's on Richards are not large. There were perhaps eight others taking care of business in there at the same time as me and we were choked for space. Nor are we talking about a grand country club restroom with marble walls and golden chalices in which to urinate. This is a good and dirty rock n' roll WC with key-scratched obscenities on the cubicles and grime in the tiles. Our poor bellhop would be privy to a whole *ahem* shitload of industry fallout over the course of an evening. I should also point out that the year is 2008, not 1925. Whatever the case, I had flown in on the red eye from Hawaii the night before and barely stumbled through my first day back at work. And here was an email from HQ in Brooklyn offering guest list status for a concert that had been sold out for weeks and figured prominently in the status of every Vancouver hipster's Facebook page. And so there I was at the Black Kids and Cut Copy show, bleary and delirious and struck by the surreal nature of a black guy dispensing soap and hand towels in the men's washroom of Richard's on Richards. The show itself was, as expected, quite brilliant. And since I've already used up my word count on complete irrelevance, I will let the YouTube coverage tell the rest of the story: Footage of the Black Kids from mowchar. And some rather shaky coverage of Cut Copy by chasingphantoms. Labels: Music, The Payola Chronicles

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